What
instruments are used in capoeira?
There are
five main instruments used in capoeira: berimbau, pandeiro,
atabaque, agogô, and reco-reco. The types of instruments
used to form the bateria (orchestra) depend on the style
of capoeira. Rodas of capoeira angola typically use three berimbaus
(a gunga, médio, and viola), one or two pandeiros, an
atabaque, agogô, and reco-reco. Rodas of Mestre Bimba's
traditional capoeira regional use one berimbau and two pandeiros.
Rodas of capoeira contemporânea are in between, typically
using more instruments than Bimba's regional, but fewer than
capoeira angola.
Berimbau

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The
berimbau is a musical bow of African origin. It consists
of an arc of biriba wood about 1.6 meters long
and 2.5 centimeters thick, called the verga.
The lower end of the verga is carved into a peg to attach
the wire (arame), which is then stretched tight over
the top end of the verga, bending it. The arame is a
steel wire taken from the inside of a car tire; before
there were tires, animal entrails were used to string
the berimbau. The resonator attached towards the bottom
of the verga is called the cabaça. It is a dried,
hollowed-out gourd, typically of the species lagenaria
vulgaris.
The
instrument is held in the left hand with the opening
of the cabaça facing the body. It is balanced
on the pinky finger, and an old Brazilian coin (dobrão)
or stone is held between the left thumb and forefinger;
this serves to press against the arame and alter the
pitch. The right hand holds the caxixi, a rattle woven
of wicker with seeds, seashells, or pebbles inside,
as well as the baqueta, a thin wooden stick used to
strike the arame.
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Berimbaus
come in three sizes. The one with the largest cabaça
and most flexible verga is called the gunga or berra-boi.
It has the deepest sound, and in the roda it is responsible
for keeping the basic rhythm. The berimbau médio
has a medium-sized cabaça. In the roda, it plays
the inverse of the gunga's rhythm. The viola or violinha
has the smallest cabaça, the stiffest verga, and
the highest, sharpest sound. Its role is to improvise,
embellish, and play variations on the rhythm.
There
are many legends surrounding the berimbau; the most interesting
tells about a beautiful young girl who was attacked and
killed by a villain while drinking water from a stream.
Her enchanted body transformed into a berimbau: her body
became the arc of wood, her hair became the cord, her
cupped hands became the cabaça, and her cries of
sadness and pain became the instrument's melancholy sound. |
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Pandeiro
The
pandeiro, originally from East Africa, is a type of
tambourine. The instrument's head may be made of leather,
snakeskin, or plastic. Capoeira, samba, reggae, and
many other forms of Brazilian music utilize this instrument.
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Atabaque
The
atabaque is a tall hand drum. The body is typically
made of jacaranda wood and the head, fastened to the
body by ropes, of calfskin. The atabaque maintains the
beat and secures the pace of the rhythm being played
in the roda. There are three sizes of this instrument:
rum (the tallest with the lowest sound), rum-pi (medium
height and medium sound) and lê (shortest with
the highest sound). Multiple atabaques are used in maculelê
and in candomblé ceremonies, but the capoeira
roda uses only one.
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Agogô
The
agogô is an African musical instrument whose name
means "bell." It consists of two hollow iron
cones that are struck with a stick. The bells are typically
tuned a fourth or a fifth apart. The agogô is
also used in candomblé.
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Reco-reco
The
reco-reco is a section of bamboo with notches cut into
the side; it is played by rubbing a stick back and forth
over the grooves. The reco-reco is believed to originate
from the indigenous peoples of Brazil. It is also used
in samba and reggae.
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