Shayna
McHugh
September 2004
| In
August 2004, Sarah and I decided to check out the controversial
Grupo Ondas in Warwick, RI. This group and its instructor
Tigri have often been attacked on the capoeira.com forums,
many accusing Tigri of being unqualified to teach capoeira
and of promoting a perverted version of the art, so we went
to see for ourselves. I went in with a mixed mindset: ready
to be wary of anything strange that Tigri might be teaching,
but also looking forward to meeting an instructor who received
most of his training as I have - not under one mestre, but
here and there, bit by bit from various groups (something
for which I occasionally get reprimanded by instructors).
After visiting them, I have to say that I was blown away
by how good the experience was: good capoeira, great energy,
and very friendly people. |
|
 |
What makes
Grupo Ondas unique (and controversial) is the introduction and
integration of Cape Verdean culture alongside the Afro-Brazilian.
However, the capoeira they play is just like any other capoeira
I've trained; they sing the same songs, do the same movements.
I felt at home in their rodas, which typically started out with
angola, sped up to benguela, then accelerated to fast regional.
The Cape Verdean influence I observed was 1) In addition to
the traditional capoeira songs, they sing some new songs that
Tigri wrote in Creole; 2) Sometimes the atabaque plays a Cape
Verdean rhythm; and 3) In addition to capoeira, samba, and maculelê,
they practice batuku and other Cape Verdean dances. Tigri is
not, as some would have you believe, claiming capoeira came
from Cape Verde. I found the inclusion of the Cape Verdean elements
subtle (as in not overbearing) but always acknowledged (i.e.
he'd point out "this is a Cape Verdean rhythm," not
trying to "sneak" the Cape Verdean stuff into capoeira
and then pretend it was always there). It added some interesting
spice to the capoeira without interfering in the least with
its traditional practice.
The other
“questionable” element of Grupo Ondas involves Tigri's
qualifications to teach: he has played capoeira for about 10 years
in a mix of solo training and visiting/practicing with various
groups. Though he is (naturally) not as skilled as a mestre with
30 years experience, he's quite a competent capoeirista and certainly
knows enough to teach others. His website used to annoy people
because it listed him as “mestre,” even though Tigri
took the point of view that “mestre” means “teacher”
not “master.” However, it now calls him “professor,”
which I think is a smart change because it’s substantially
less likely to stir up controversy. Anyway, Tigri is humble and
doesn’t put himself “above” his students in
any way. Believe me, I understand full well the danger of unqualified
instructors, but in my opinion those who get their panties in
a bunch because no mestre "licensed" Tigri to teach
by giving him his red/blue/pink-with-purple-polka-dots "instructors'
cord" need to remember that a century ago, before capoeira
academies existed, everyone learned capoeira here and there the
way Tigri did. Heck, it's the way I'm learning... does the fact
that I train with anyone and everyone I find and that I don't
have a cord, group, or mestre to call my own make me less of a
capoeirista?
Probably
the only thing that turned me off slightly was Tigri’s not-so-great
relationship with certain other people in the capoeira world:
in private conversations he’d sometimes make comments that
displayed a bit of dislike towards other mestres/instructors (though
he never named names) who had mistreated him, who were only out
for profit, etc. His website also describes how he was criticized,
mocked, and rejected by some groups (again, no specific names
are named). To be fair, I don’t know what happened, so I
can’t pass judgment on the situation. I guess it’s
just that, though I do understand that it’s true that not
every capoeira instructor is a good person, I prefer to get along
with everyone rather than hold grudges or harbor resentment.
Anyway, three
more things that really distinguished Grupo Ondas were their music,
energy, and hospitality. Regarding music, they sing mostly traditional
capoeira songs, but also some new ones that Tigri wrote (some
are in Portuguese, others are in Creole). Tigri is a very skilled
songwriter, and I bought the group’s CD because I liked
their music so much. We spent a half hour in class just practicing
the songs; Tigri gave a lot of attention to detail, making sure
everyone understood the words, rhythm, melody, and harmony. The
energy of Grupo Ondas is phenomenal – they love capoeira
and it sure shows in their rodas! After the end of class, everyone
stuck around for another hour or two to work on moves and play
more. The open roda had consistently enthusiastic singing and
playing, and good energy in the games; no bad vibes or fighting.
Also, I noticed that everyone in the group helps and encourages
each other in their capoeira; there didn’t seem to be the
superiority complex of the more experienced students as I’ve
seen in a few other groups. Finally, as a visitor, it was one
of the warmest welcomes I’ve ever received from a capoeira
group. Tigri let us stay at his place and gave us rides everywhere,
and his students treated us like family.
Overall,
it was a great weekend and I had a blast. If you're in the northeastern
U.S., try to pay these guys a visit. As long as you don’t
go in with a bad attitude, you’ll find them one of the
nicest and most interesting capoeira groups out there.
UPDATE:
Grupo Ondas is now affiliated with Mandingueiros dos Palmares
(Mestre Chuvisco) in Boston.